| Dedicated
to legendary bluesman Robert Johnson, "Othello Blues" is as edgily
brilliant as a Robert Johnson solo. Like Johnson's blues, Jaffe's
futurist blues novel surprises and impresses with its harshness and
lyricism, its uncanny twists and turns.
Set
in New York City and delta Mississippi in 2005, "Othello Blues" features
Othello (called Otis) on guitar, Cassio on bass and Iago on harmonica and
jew's harp. Desdemona is the guileless, white wife of Otis and advocate
of Cassio. All three are fatally victimized by the treacherous Iago, who
has to be one of the most captivating villains in recent literature.
Though
rooted in Shakespeare's tragedy and subtly adhering to fundamental aspects
of that drama, "Othello Blues" is at the same time a parable of lust, racism,
delta blues and lean, syncopated prose.
Known
equally for his dazzling literary technique and passionate social commitment,
Harold Jaffe cunningly interfaces high tragedy, cyberpunk and raunchy comedy
into a compellingly readable book.
ABOUT
THE AUTHOR
Harold
Jaffe is the critically-acclaimed author of five fiction collections and
three novels, including "Straight Razor" (1995), "Eros Anti-Eros" (1990),
"Madonna and Other Spectacles" (1988), "Beasts" (1986), and "Dos Indios"
(1983). Jaffe's fiction has appeared in numerous journals and has been
anthologized in "Pushcart Prize," "Best American Stories," "Best American
Humor," "Storming the Reality Studio," "American Made," "Avant Pop: Fiction
for a Daydreaming Nation," and "After Yesterday's Crash." His novels and
stories have been translated into seven languages. Jaffe is editor of "Fiction
International."
EXCERPT
Gillette
Gillette answered the phone on the third ring. Iago said:
--This
is Jim Bob. Did you get my letter, sir?
--Look
here. Who is this Crawford?
--He's
a big tall black bluesman about forty-years old with very long fingers,
Mr. Gillette. He--
--What
does he have to do with my daughter?
--I'm
afraid what he has to do he done done. And gotten your daughter to do him
as well. But there's still time.
--I'm
not following you. Why would Desdemona become involved with such a person?
--With
respect, Mr. Gillette, why does any female do what she does?
--You
obviously don't know my daughter. She is as shy as she is attractive. When
she was at Smith she regularly refused to go out with handsome young men.
Young men with firm backgrounds. She has always been independent-minded.
--There's
other ways, Iago said.
--What
do you mean?
--You're
a cultivated man, Mr. Gillette. And I expect you listen to cultivated music.
Bach and Mozart, Gustave Mahler. Blues is something else. Big Otis Crawford
is a delta bluesman. He plays bottleneck guitar and his weepy black heart
flows right out through his long black fingers. And you know how he keeps
it going, Mr. Gillette? Drugs. Drugs and liquor, but especially drugs.
That's what black soul blues is all about, sir.
--Are
you suggesting that my daughter...
--Let
me put it this way, Mr. G. How else would a shy, lovely, cultivated young
miss like Desdemona end up hanging out in a smoky blues joint in a treacherous
corner of the city lapping up every moaning chord comes out of Big Otis'
bottleneck?
No
response from Gillette Gillette, but Iago heard his breathing.
--Like
I wrote you in the letter, Mr. Gillette, your daughter ain't living alone
anymore. She got herself a new roommate. Big Otis done shacked up with
her, Mr. G.
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$12.95
Soft Cover
ISBN
1-889749-21-4
$7.50
ebook (pdf format)
ISBN
1-889749-00-1 |
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